Emmy Magazine - In The Mix

The Netflix exec behind Bridgerton seeks unseen perspectives.

Training women for industry jobs that have traditionally been out of reach is having real results.

A VFX pro savvy in "fantastical physics" conjures monsters and other wonders for Prime Video's The Wheel of Time.

British writers have traditionally worked alone, but the rumble-tumble U.S. writers' room is gaining ground.

Knowing that you've created an international hit — perhaps the biggest Netflix has ever had — can feel like a dream state. But such is the conflicted world of Hwang Dong-Hyuk's Squid Game, where contestants play life-or-death games in a Korean Candy Land.

A new EPIX documentary recalls A&M Records, the independent label that soared in the '70s and '80s under its farsighted founders, who put their initials — and much more — on the line.

Not content with straight holiday movies given an LGBTQ twist, a writer-producer brings his own film to life, with "a story that felt unique to being gay."

Life and art intertwine as a novelist turns to television, then adapts Station Eleven, his friend's acclaimed postpandemic saga.

All the daughters in the Lind-Woods family followed their mom into the acting business — and they’ve all found success.

As Echo in Hawkeye, she's a Marvel hero — and a hero in the effort to increase diversity on television.

For a director of Succession, a season forged during Covid called for skillful pivots and a dedicated focus.