The world agrees: there was — and will be — only one Pablo Picasso. And for the team behind season two of Nat Geo’s Genius, there was only one actor to portray him in his fertile, later years: Antonio Banderas.
Picture Pablo Picasso.
If anything comes to mind beyond the .Spanish artist's work, you're probably thinking of a squat, broad-shouldered man with deep, searching eyes and a round, bald head. Now picture the Spanish actor Antonio Banderas. They have next to nothing in common. And yet, while filming on location in Budapest recently, Banderas has undergone an astonishing transformation.
"Picasso," he says in that thick Spanish accent, "he has this gesture that is very common where he plants himself like… this ."
With that, Banderas sticks out his chest, spreads his legs wide, turns out his feet like Mary Poppins and stares intently. Suddenly, there it is — Banderas, who has shaved his head and eyebrows for the role, does look like Picasso. Or, more accurately, he has become Picasso. He holds the pose, then breaks his stare and laughs.
"You know what, it doesn't matter too much if we don't look the same. Why? Because I don't try to be part of a wax museum. I'm trying to tell a story." The story Banderas is telling is of the life and times of arguably the greatest artist of the 20th century.
What's inarguable is that Picasso was a visionary, which is why he was chosen as the subject for the second season of National Geographic's anthology series Genius, which begins April 24 with a two-hour episode (there are 10 parts in all). The first season featured Geoffrey Rush as Albert Einstein, a role that earned him a 2017 Emmy nomination. Genius was also nominated for outstanding limited series, so the challenge for season two was to top that.
First, however, came the problem of which genius to focus on next. "We spent a lot of time talking about a number of amazingly interesting people," says executive producer Ron Howard, whose Imagine Entertainment produces the series with Fox 21 Television Studios. "It was important, as we were preparing for season two, to push the boundaries beyond science.
"To delve into the world of art was really great — to take the tenets that we learned about in Einstein and see them [reflected] similarly in a world that is completely different. And it's good for the franchise to push those boundaries and show all the different worlds in which genius exists."
Showrunner Ken Biller (who, in addition to exec-producing, wrote and directed the first two episodes) says they approached the decision with three criteria in mind: "One, it had to be someone who's undeniably a genius. Two, someone who has a life story that is big enough and sprawling and eventful and dramatic enough that it could support 10 hours of television. And three, particularly for season two, it was important that we had a name that would garner interest immediately, that was internationally known. Picasso fit that bill."
When it came to casting their lead, they had only one name written down: Banderas. Both Picasso and Banderas are Spanish exports who've found global fame. Both were born and grew up in Malaga, in southern Spain.
"Picasso," Banderas says, "is a character who has been very present in my life, for the reason that I was born in the same place. He's always been like a big shadow in my life since I was a little kid. We didn't have so many heroes in Spain in that time, not international heroes, as we were isolated because of the Spanish Civil War."
Howard and his producing partner, Brian Grazer, weren't the first to try to get Banderas to play his hero. The actor has been offered the role of Picasso several times in his career, but he'd never accepted it. Until now.
"Ron and Ken were very convincing," Banderas says. "And the fact that National Geographic was behind it made the project very solid historically."
What he didn't realize when he met Howard and Biller in London, where he currently resides, was that the Picasso project he was being offered was intended to be the second season of Genius — a show he happened to have watched. "I saw the first one, and I got caught completely," Banderas says.
"I thought, this is quality television, and I like it. I found Einstein interesting and surprising. So, when they said it's the second season of that, I said I wanted to do it."
"Antonio saw what we had done and that we were treating the subject seriously and that it was very cinematic," Biller says. "So he and I just hit it off. When Antonio left, Ron went, 'My God, we have to get him. It's so authentic. He will be great in this role.' And — as Ron usually is — Ron was right."
The problem was, though Banderas had the accent and the history, he didn't have the look. He's a taller man with a longer face. The task of transforming him fell to costume designer Sonoo Mishra and hair and makeup designer Davina Lamont.
"Antonio is much taller than the real Picasso, and we didn't know how to achieve that at first," Mishra says. "So we researched all the pictures, remade all the original outfits, but made the jackets a bit longer and the trousers a bit wider. It makes Antonio look shorter, a trick of the eye."
According to Banderas, Picasso's habitual wardrobe of loose tops and baggy pants helped him adjust his posture and gait. "Picasso used a lot of loose clothing — I love that. That helped me, because I can deform my own body. When I put Picasso's wardrobe on my body, I can feel that it changes."
As for the face, Lamont points out that what people consider the Picasso look comes largely from photographs taken in the later stage of his life.
"I didn't want to put [Banderas] in a full prosthetic mask right from the start," she says. "He goes from 44 years old up to 92, so we slowly progress into his aging look, where we add in gels, cheeks, eye work.
"Then we get to his 70s, 80s and 90s, and that's when the full prosthetics come in. But before that, my idea was to still have Antonio in there, but with elements of Picasso. The first couple of stages are not what we consider the iconic look for Picasso, anyway. We're just waiting for him to get to his bald look."
During a scene Banderas works on in the morning, it's 1946, and he does indeed have hair — in the form of an elaborate gray comb-over. You can see why Picasso got rid of it roughly two years later.
"I reckon he got more and more attractive as he got older," says Lamont, who also worked on the Einstein story. "Probably when he was in his 60s he got more attractive — because, let's face it, the comb-over is not a good look."
Genius didn't need just one Picasso, however. Following the pattern laid down in season one, each episode jumps between two actors playing the artist at different ages. If Banderas fit the bill for the mature Picasso — the one we might think we know — the younger Picasso was a totally blank canvas.
Howard and Biller cast the net high and wide, and ultimately reeled in a young American from the L.A. suburbs.
"I just did a self-tape," says Alex Rich, a 20-something who has previously appeared in True Detective and GLOW. He has an advantage, because his facial shape more closely resembles Picasso's, but his trump card is really how closely he's been watching Banderas.
"When you watch Alex in the role," Howard says, "he has completely taken on Antonio's accent and mannerisms in such a natural, believable way. We couldn't have gotten luckier."
Rich — speaking in his trailer, parked near Banderas's — says he has been "tracking" aspects of the older actor's performance to make sure their two Picassos (who meet somewhere around age 40) read like a single person. Rich has the feet-open Picasso stance down pat. For his part, Banderas says he only started doing it when he saw Rich at work.
"I've got to tell you, the first time I saw Alex as Picasso, it was in the bull ring in Malaga in rehearsal. I got almost emotional, because I saw him. I saw Picasso. There are some paintings that he did of himself. It was like, 'Oh, my God, Alex, you're him!' Since then we've talked, we've been for dinner; I mean, walking with my feet open — a little bit of that comes from Alex." He leans in conspiratorially. "I think we are doing the same character."
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This article originally appeared in emmy magazine, Issue No. 3, 2018