Emmy Magazine Features

Disney+, the newest subscription service, enters the streaming market with some serious assets: the iconic Disney brand and the company’s vast intellectual property.

Peter Morgan’s planned shake-up of the casting for The Crown brings Olivia Colman to the throne as Elizabeth and Helena Bonham Carter to her side as stylish sister Princess Margaret.

See sets up a wave of momentum for actors with disabilities.

Its conquest complete at the 71st Emmys, Game of Thrones bids a bittersweet farewell.

Winners and others find a peaceful place to breathe in Robert Ascroft's studio at the Emmys.

For 20 years, the wise guys behind Family Guy have been devising the outrageous world of the Griffins. At last, they reveal their favorite episodes.

When Hannah Gadsby was asked about filming her very personal stand-up show, she resisted. But the Netflix special became a global sensation.

At L.A.’s Geffen Playhouse, television actors who also relish live theater can test themselves in new ways — and show themselves to audiences in a whole new light.

With its new subscription service and the gripping drama See — set in a sensory-challenged future — Apple asserts its place in streaming entertainment.

Peaky Blinders — the drama named for British gangsters who sewed razor blades into the peaks of their caps — is the little British show that’s gone big.

Networks that delight are the domain of Discovery’s Kathleen Finch, who is hailed by colleagues for her creative cross-promotions.

Strange requests (like, Can you do Groucho on helium?) are all in a day’s work for a voice actor. But as Rob Paulsen makes plain in Voice Lessons, he wouldn’t have it any other way.