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Emmy Magazine - In The Mix

Bringing Mrs. Fletcher to life as a limited series spurred mixed emotions in novelist Tom Perrotta.

Tales of romance, New York City–style, beguile in Amazon's Modern Love.

Hyo-Joo Han comes to America through the Bourne universe.

When In Living Color burst onto television in 1990, Saturday Night Live had already been on the air for 15 years. But this was sketch comedy like no one had seen before. As David Peisner explains in Homey Don’t Play That!, TV comedy — and its approach to race — would never be the same.

With FX’s The Weekly and a slate of projects, the New York Times expands into television.

CBS’s revival of Murphy Brown this past season was welcome news for fans. But for a while — back in a “very scary” time, English says — it was a political and cultural flashpoint.

An EPIX series inspired by a real-life 1960s power struggle unites a trio of powerful performers.

A new Netflix series tells of two women detectives who join forces to track a serial rapist, ultimately proving the importance of believing victims. Those who believed in bringing the story to television were an unusually distinguished group.

More sophisticated storytelling calls for more complex audio.

Latino Public Broadcasting pursues an all-inclusive audience.

From stand-up to Superstore, Nico Santos has paid his dues.

A stunt pro decries an industry practice that reduces work for women

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